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The defining experience of Ema Ryan Yamazaki’s childhood left her with badly scraped knees and her classmates with broken bones. During sixth grade in Osaka, Japan, Ms. Yamazaki — now a 34-year-old documentary filmmaker — practiced for weeks with classmates to form a human pyramid seven levels high for an annual school sports day. Despite the blood and tears the children shed as they struggled to make the pyramid work, the accomplishment she felt when the group kept it from toppling became “a beacon of why I feel like I am resilient and hard-working.”Now, Ms. Yamazaki, who is half-British, half-Japanese, is using her documentary eye to chronicle such moments that she believes form the essence of Japanese character, for better or worse. To outsiders, Japan is often seen as an orderly society where the trains run on time, the streets are impeccably clean, and the people are generally polite and work cooperatively. Ms. Yamazaki has trained her camera on the educational practices and rigorous discipline instilled from an early age that she believes create such a society.
Persons: Ryan Yamazaki’s, Yamazaki —, , Yamazaki Locations: Osaka, Japan
To capitalize on this moment, Toho, the Japanese film studio that owns the monster and licenses it to Legendary in the U.S., said it will produce a new Godzilla film a year from Thursday, the anniversary of the monster's first film. The new film comes as global audiences have more access to Godzilla content than ever before thanks to deep libraries of movies and TV series on streaming services. The recent box office success of U.S. studio Legendary's Monsterverse, which kicked off with a Godzilla film in 2014 and led to "Godzilla vs. Kong" in 2021, has also helped. The films, especially the most recent installment, have been among some of the most in demand on streaming services. "There's more access to Godzilla than ever before because of streaming services and the internet," said Bill Tsutsui, a historian and academic known for his expertise in Godzilla.
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